After a long space journey, an astronaut returns home to his family only to discover that he has somehow gone through a "time warp" and is now one year into the future, rendering him invisible to all those around him.

From "The Rocky Horror Picture Show" to "The Big Lebowski" and everything in between, this fascinating deep-dive documentary begins its celebration of the greatest cult movies of all-time discussing the birth of the midnight movie.

WarpVision: The Videos 1989-2004 is a DVD released by British record label Warp Records on September 27, 2004, which features most of the music videos produced for their artists in the 1989-2004 period. It is the first DVD collection coming from Warp Records, and the major part of the videos included are shown for the first time in a DVD format. 　　 　　Packaging and internal menus are completely designed by digital art collective "The Designers Republic", a firm involved in several Warp Records projects. 　　The DVD comes with a bonus audio CD, titled Watch and Repeat Play, featuring a special mix of selected tracks, sequenced by Buddy Peace and ZILLA. 　　A total of 32 tracks, 19 artists and 24 directors (individuals or collectives) are featured in the DVD. 　　 　　"Testone" by Sweet Exorcist (directed by Martin Wallace & Jarvis Cocker, 1990) 　　"LFO" by LFO (directed by Jarvis Cocker, 1990) 　　"Aftermath" by Nightmares on Wax (directed by Jarvis Cocker, 1991) 　　"On" by Aphex Twin (directed by Jarvis Cocker, 1993) 　　Promo: "I Smell Quality" (directed by David Slade, 1994) 　　"Tied Up" by LFO (directed by David Slade, 1994) 　　"Wilmot" by Sabres of Paradise (directed by Douglas Hart, 1994) 　　"Fracture" by Seefeel (directed by Seefeel, 1994) 　　"Donkey Rhubarb" by Aphex Twin (directed by David Slade, 1995) 　　"Second Bad Vilbel" by Autechre (directed by Chris Cunningham, 1995) 　　"Come To Daddy (Directors Cut)" by Aphex Twin (directed by Chris Cunningham, 1997) 　　"Come On My Selector" by Squarepusher (directed by Chris Cunningham, 1997) 　　"Midsummers Night" by Jimi Tenor (directed by Jimi Tenor and Sökö Kaukoranta, 1998) 　　"Windowlicker (Directors cut)" by Aphex Twin (directed by Chris Cunningham, 1999) 　　"Total Devastation" by Jimi Tenor (directed by Jimi Tenor and Sökö Kaukoranta, 1999) 　　"Papercuts" by Broadcast (directed by Barback, 2000) 　　"Daddys Car" by Jamie Lidell (directed by Frederic D, 2000) 　　"I'm Not Comfortable Inside My Mind" by John Callaghan (directed by John Callaghan, 2000) 　　"Perpendicular / Vector" by Antipop Consortium (directed by Caliber 16, 2001) 　　"Eyen" by Plaid (directed by Jean Luc Chansay, 2001) 　　"Ghostlawns" by Antipop Consortium (directed by Carlos Arias[disambiguation needed], 2002) 　　"Gantz Graf" by Autechre (directed by Alex Rutterford, 2002) 　　"Nannou" by Aphex Twin (directed by Laurent Briet, 2003) 　　"Gob Coitus" by Chris Clark (directed by Lynn Fox, 2003) 　　"Freak (Directors Cut)" by LFO (directed by Daniel Levi, 2003) 　　"I Love Acid" by Luke Vibert (directed by Delicious 9, 2003) 　　"Little Numba" by Mira Calix (directed by Daniele Lunghini and Diego Zuelli, 2003) 　　"Itsu" by Plaid (directed by Pleix, 2003) 　　"Half Of What" by Prefuse 73 (directed by Ed Holdsworth, 2003) 　　Promo: "Opto-Scientific" (Shown at Fondation Vasarely) (directed by The Designers Republic, 2003) 　　"Mutescreamer" by Beans (directed by Adam Levite, 2004) 　　"The City" by Jamie Lidell (directed by Frederic D, 2004)

A psychic investigates the disappearance of a space-shuttle crew and discovers an alien force present in the craft.

After getting a flat tire in the middle of nowhere, newly engaged couple Brad and Janet encounter the eerie mansion of the flamboyant, seductive Dr. Frank-N-Furter and a variety of eccentric characters. Through elaborate dance and rock music, the mad scientist unveils his latest creation: a perfect, muscular man.

You don't need a reason to party, but your wife not loving you anymore is a pretty good one.

For a man who was born with a silver spoon in his mouth, the suffering and hardships others go through every day are not something he can relate to. One day, he unexpectedly becomes involved in a murder incident. He meets a woman who is trapped in time by what happened. He is drawn to her, feeling responsible and guilt for what he had done. Before he can even realize, his feelings towards her grow. He struggles to find the truth so that he can allow himself to love her.

The latest series TIME, TIME, has released fitting photos that have created a buzz since the first image, revealing Pancake Khemanit as Melanie, the heiress of a wealthy business family. She is a working woman who is full of determination and has everything in life. But she loses everything when she drives through a mysterious tunnel that takes her 1 year into the future. Melanie finds out that she has become a missing person. Her father died of a broken heart. All the businesses belong to her half-brother. And her fiancé married and had a child with her best friend.

A dreamer sits by the grave of a deceased woman and loses all sense of time. Only when she turns into a white lily does he realise a hundred years have passed. Inspired by the surreal first story from Soseki Natsume’s collection of short stories Yume jūya (‘Ten Nights of Dreams’) from 1908, the composer and Holland Festival associate artist Ryuichi Sakamoto teamed up with director and visual artist Shiro Takatani to make a dreamlike opera. Taking inspiration from a Mugen Noh – traditional Japanese dance theatre with magical elements – Sakamoto explores the phenomenon of time and the relationship between humankind and nature. Against a dreamlike backdrop that seems to go on forever, the dancer Min Tanaka portrays ‘humanity’, and shō player Mayumi Miyata represents ‘nature’ through movement and sound/music. Sakamoto: ‘We live and we die. And after we die, our body becomes part of the next being. This is samsara itself, the life circle of life on earth. In dreams, those temporal structures are not linear. Everything is condensed’.

The Stallworths, a working class African American family, scratch off a lottery ticket and jump to middle class overnight.